environment

Blowin’ in the wind

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The deformed feet of four-year-old Zahra Muhammad Photograph: Muhannad Fala'ah/Getty Images

This post by Siun at Firedoglake links to a number of articles about toxic fallout from U.S. attacks in Iraq, and by our Israeli chums in Gaza. As the Guardian reports in this heartbreaking image gallery (also, here), the incidence of birth defects and early life cancers has skyrocketed in Fallujah, Basra, Baghdad and Al – Najaf, all areas that fell under heavy bombardment by the U.S.

It’s one thing to hope, however vainly, that the U.S. government sees the light and pulls its military back from its murderous assaults against Iraq and Afghanistan, quite another to think we will ever do anything about the long-term environmental consequences.

The Guardian report is careful to note that it’s too early to draw definite conclusions about what caused this 15-fold rise in many chronic deformities in infants and a spike in early life cancers. Depleted uranium? White phosphorus? Well, maybe. And it will ever be so. The procedure is clear. Deny and obfuscate until it’s too late to do anything about it.

A “slow-motion apocalypse in progress”

Photographer Chris Jordan has photographed the stomach contents of albatross chicks on Midway Atoll, “one of the world’s most remote marine sanctuaries, more than 2000 miles from the nearest continent.”

The nesting babies are fed bellies-full of plastic by their parents, who soar out over the vast polluted ocean collecting what looks to them like food to bring back to their young. On this diet of human trash, every year tens of thousands of albatross chicks die on Midway from starvation, toxicity, and choking.

To document this phenomenon as faithfully as possible, not a single piece of plastic in any of these photographs was moved, placed, manipulated, arranged, or altered in any way.

In his artist’s statement for another exhibit, Jordan writes that his work shows evidence of “a slow-motion apocalypse in progress.”

The pervasiveness of our consumerism holds a seductive kind of mob mentality. Collectively we are committing a vast and unsustainable act of taking, but we each are anonymous and no one is in charge or accountable for the consequences. I fear that in this process we are doing irreparable harm to our planet and to our individual spirits.

As an American consumer myself, I am in no position to finger wag; but I do know that when we reflect on a difficult question in the absence of an answer, our attention can turn inward, and in that space may exist the possibility of some evolution of thought or action. So my hope is that these photographs can serve as portals to a kind of cultural self-inquiry. It may not be the most comfortable terrain, but I have heard it said that in risking self-awareness, at least we know that we are awake.

Europe’s Picture of Dorian Gray

George Monbiot in the Guardian:

When the great tsunami of 2004 struck the Somali coast, it dumped and smashed open thousands of barrels on the beaches and in villages up to 10km inland. According to the United Nations, they contained clinical waste from western hospitals, heavy metals, other chemical junk and nuclear waste. People started suffering from unusual skin infections, bleeding at the mouth, acute respiratory infections and abdominal haemorrhages. The barrels had been dumped in the sea, a UN spokesman said, for one obvious reason: it cost European companies around $2.50 a tonne to dispose of the waste this way, while dealing with them properly would have cost “something like $1,000 a tonne.” On the seabed off Somalia lies Europe’s picture of Dorian Gray: the skeleton in the closet of the languid new world we have made.

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